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Sleepy Joe Biden Claims Trump Has Never Disavowed the KKK. Here Are 7 Times Joe Must Have Been Asleep For

On Wednesday, former Vice President Joe Biden accused President Donald Trump of not denying the Ku Klux Klan. He had compared Trump’s rhetoric to the KKK on Monday after Trump again denounced white nationalism. Yet the president has denied and denounced the KKK and white supremacy at least seven times, as shown in a campaign video released Wednesday.

“Do you believe the president really supports the Ku Klux Klan?” a reporter asked Biden.

“He doesn’t deny them, at a minimum,” Biden said.

The Trump campaign video shows Trump — as a candidate, as a citizen, and as a president — explicitly disavowing the KKK and white supremacy.

“I totally disavow the Ku Klux Klan, I totally disavow David Duke,” he said in March 2016.

When asked about the Reform Party in 2000, then-private citizen Donald Trump said, “You’ve got David Duke just joined — a bigot, a racist, a problem.”

When asked in a March 2016 radio interview, “So are you prepared right now to make a clear and unequivocal statement renouncing the support of all white supremacists?” the then-candidate replied, “Of course I am, of course I am.”

“Who else do I have to reject?” he asked later that month. “I’ve rejected David Duke, I’ve rejected the KKK, the Ku Klux Klan.”

The campaign video then cut to a statement after the white nationalist march in Charlottesville, Va. After Trump made the remarks that there were “very fine people” on “both sides,” he immediately added that he wasn’t talking about “the neo-Nazis and the white nationalists, because they should be condemned totally.”

Later the same month, in August 2017, Trump added, “Racism is evil, and those who cause violence in its name are criminals and thugs, including the KKK, neo-Nazis, white supremacists, and other hate groups that are repugnant to everything we hold dear as Americans.”

The video concluded with the president’s remarks on Monday. “In one voice, our nation must condemn racism, bigotry, and white supremacy,” he said.

Biden launched his campaign attacking Trump’s “very fine people” remark, overlooking the president’s clear denunciation for white nationalists in that very statement.

What does Trump have to say for Biden to stop suggesting he’s a white nationalist in league with the KKK? Are seven denials somehow not enough? It seems Democrats will never give up the bone of Trump’s racism, “white nationalism,” or “white supremacy.” When The New York Times reported Trump’s denial of racism in a headline, Alexandria Ocasio-Cortez said America’s newspaper of record abetted white supremacy.

Watch the video below.

From PJ Media

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    the modern, fresh quasi documentary film, “Rolling thunder Revue: A Bob Dylan narrative by Martin Scorsese, That premieres this week on Netflix is to quote the Kris Kristofferson song a “Walking contradiction, Partly truth and partly fictional” much like the artist himself.

    What’s so unexpected is how gleefully and mischievously it presents a far more light hearted and joyful side of Dylan than has ever really surfaced on film before both in significantly 1975 tour footage and in amusing new interviews Dylan conducted for the documentary.

    After a lifetime stressing about being mythologized beyond all reason, Dylan and Scorsese have turned the tables on his fans and pranked them in this film with some brilliant fictional looks slipped in for such sly comic effect that they go unnoticed unless you’re watching vigilantly.

    At a premiere screening soon at the Museum of Fine Arts in Houston, texas, The sold out audience erupted in laughter at regular intervals via the carnivalesque two hour and 22 minute film, Which video on demand bills as Scorsese’s “Alchemic mix of fact and mind trip,

    some of the “Rolling mastery” take an excursion to film also unearths bracing new renditions of “Isis, “One More pot of coffee, “make an impression on in Durango, “effortless Twist of Fate, “The forlorn Death of Hattie Carroll, “When I Paint My must-see” yet others. Criminal justice system about the triple murder conviction of Rubin “storm” carter, A colorful New Jersey boxer who features conspicuously in interviews in the film.

    situated in part on activism by Dylan, Boxer Muhammed Ali and more, Carter’s conviction was overturned by New Jersey’s supreme court in 1976, But he was retried and reconvicted by state prosecutors before his inevitable release in 1985.

    Dylan’s most notable recent cameos in the mainstream press his cantankerous 2004 “60 seconds” employment with Ed Bradley; His skillfully slow response two years ago to being named rock’s lone Nobel laureate have left the legitimate impression among most Americans of a stern, on the other hand humorless elder statesmen.

    That same impression was left by the clearly serious tone of “path Home, Scorsese’s seminal 2005 look at Dylan’s meteoric early years which culminated in a 1966 biker crash that presaged an eight year hiatus from touring.

    But then Dylan re emerged in 1974 for a victorious, Barnstorming stadium tour with The Band that led to his double live album that year, “prior to a Flood, And by the summer of 1975, He appeared to be in his finest touring form yet.

    In January of this year, He had released his undisputed work of art, “Blood online Tracks, And had already completed acquiring on his still unreleased follow up album, “desire” When he set out on the most unconventional tour of his career the Rolling Thunder Revue.

    The film captures this much written about but seldom seen period in his career when the 34 year old artist was brimming with energy, Full of a fraction of the freshest and most original material he’d ever produced, And flanked by a small galaxy of friends, acquaintances, Old ex girlfriends, Cartoonish rock reporters, Fictional directors and other methodically colorful oddballs.

    “It’s just the elements I work best in, Dylan intones in the film.

    (significantly more: In portraits: Bob Dylan in recent times)

    The tour listed “Howl” Poet Allen Ginsberg saying poetry, Joan Baez playing her own sets and also singing with Dylan in everyday materials mesmerizing performances in the film, And the hard rocking supergroup backing band dubbed “Guam” Which contained manufacturers T Bone Burnett, David Bowie musician Mick Ronson, Pedal steel musician Dave Mansfield, Bassist take advantage of Stoner, Ramblin’ jack port Elliott and Byrd Roger McGuinn, Among many more.

    Joni Mitchell occurs at a Connecticut show and joins the tour. She’s captured in the film trying out a new song, “Coyote, In Gordon Lightfoot’s Canadian home nevertheless McGuinn and Dylan strum along, Trying maintain.

    An not prepared to breakout star of the film is actress Sharon Stone, Who may or may not have ended up on the tour as a shy, Teen aged future starlet. Given the unorthodox nature of the film, It’s hard to tell whether her improbably hilarious Dylan stories really happened or not but we were holding rolling in the aisles in Houston.

    Other stars of can be are Baez, Ginsberg, peterson, Former Ronnie as well as Hawks front man Ronnie Hawkins, And a theatrically pompous fictional Dutch director named Stefan van Dorp, Whose outsized ego seems to cleverly send up Dylan while matching the artist in laughter inducing punch lines across the span of the film.

    “Van Dorp was a silly guy, Dylan claims in a new meeting. “He was the one of ukrainian babes those kind with people who kind of just needs an enemy, And he was attempting to make enemies where there weren’t any,

    “He angered lots of people, specially catering, Dylan stated in a deadpan tone.

    “He would eat two or three meals that really were for someone. So he ate more than he was suggested to, and i believe he stuck his nose in places he should not have been. He has also been a very paranoid person, And was designed that his room was bugged,

    “nevertheless,having said that, my oh my, you’re sure McGuinn was on that tour, Dylan lasts, Seeming to strain to recall data of the fictional Van Dorp’s role in Dylan’s real 1975 tour.

    “And McGuinn was in fact, it had been, Was into very stylish electronics, So I’m not saying all this wasn’t bugged, But I’m not saying it was bugged because i’m not sure that for a fact,

    For the infamously guarded Dylan, Even just gadget the (eventual) areas of that wild, experimental period seemed to soften up the now 78 year old artist.

    He comes across more tender and humbled than in the past in recalling his real life collaborations with and love and admiration for Baez, With whom he had a raining, Storied love affair and friendship in the early 1960s.

    No one was more responsible at the outset of Dylan career for introducing the young folkie to a broader mainstream audience that Baez, Who took him on her national 1963 tour.

    And by many history, Hers called for, No one was hereafter crueler to Baez than Dylan an allegation hinted at in a devastating scene in the film when Dylan and Baez riff on their marriages to others.

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